Further, much of the characters’ speech relies on pointing out their status as people of color in order to describe their position in relation to white power.

We see that Troy’s workplace, for instance, is organized according to a racial hierarchy privileging whites, since exclusively white men are hired to drive the company’s garbage trucks, while black men are only hired as garbage collectors. Throughout the play, we also see how its characters are forced to define their world in terms of how it’s limited by a racist system of white social and economic power. While the latter divides with the aim of controlling and limiting black prosperity and influence, the division effected by Troy’s fence is one of protection and an affirmation of the world within it. Rose wants the fence in order to set her and her family off from the outside world, to protect a private interior of their experience-lived, black experience-from an outside world threatening to invade it, and from the divisive effects which white power inflicts upon society. Yet Troy also builds the fence himself it’s largely his own creation, though Rose initially tasks him with building it.

From one angle, the fence represents the geographical effects of segregation in general: the fencing-off of blacks, the creation of ethnic insularity in certain neighborhoods, and it is a monument to this basic social division effected by white economic and political power. The fence which Troy gradually builds in front of his house serves as a symbol of segregation, as well as the general psychological need to build a fortress where a black ‘inside’ or interior can set itself off from the white-dominated world around it. Set in Pittsburgh in the 1950s, Fences explores the experience of one black family living in the era of segregation and a burgeoning black rights movement, exposing, at the heart of its characters’ psychology, a dynamic between the inner world of a black community and the expanse of white power around it.

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